![]() ![]() I was less impressed by the wobbly condenser microphone, though, so borrowed a pal’s original MicroKorg for comparison. The cream panel with its gold graphics and text looks plush, as do the white knobs and performance wheels. Korg have hardly tampered with the externals at all, adjusting only the colouring, which is even more attractive than the limited-edition gold and brown model from a few years back. ![]() Might these be enough sweeteners to prolong the MicroKorg’s success? White Noise The speaker is the most obvious difference, but the S also has double the patch capacity and a set of convenient favourite slots. Therefore the MicroKorg S (for Speaker) does not replace the original but slots in between it and the XL+. Whether it’s classic guitars or classic synths, it’s hard to deny that many jobbing musicians prefer continued production and gradual evolution to the endless cycle of starting over. Despite the release of the MicroKorg XL (with its superior synthesis but subdued retro interface), Korg have reverted to the model that started it all, bringing it up to date with a stylish white look and white knobs. Korg’s MicroKorg is the world’s best-selling synth, and the 2002 hit that shows no signs of fading away. How do you follow the best-selling synthesizer of all time? ![]()
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